Printer’s Ink Revisited

An update from 16 October — what a difference a week makes. Got the chlorine bleach and made a solution of hot water and bleach, 1:8 bleach to H20, and gave the print a bit of a bath.

A light brush of the print cleared away nearly all the excess and brightened the image over all. Yes, the exposure and processing need more work, I need to use a much less textured paper, and think about using oil paint instead of intaglio ink, BUT I’M NOT UNHAPPY WITH IT. Clearly, this will be a fun direction to pursue…

The Smell of Printer’s Ink…

I’ve started exploring a new-to-me old process called “gumoil” — it works on the principle that various chromates harden gums and other proteins when exposed to light. There’s a whole nexus of process based on this concept: Gum bromoil, gum bi/dichromate, carbon transfer, carbro… all of them related by this basic action. It is NOT based on silver.

In this case, the image is formed by the adhesion of printer’s ink to the areas not exposed to light (and thus the gum is dissolved when the print is placed in water).

Just started working with it, using up some older paper.

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Les Moyens du Bord

Atelier pour tous

Fountain pen blog

Pens, inks, notebooks and other accessories

Hypnagogue Podcast

A thoughtfully handcrafted podcast of ambient, electronic, New Age, and contemporary instrumental music

Fountain Pen Love

For people who love using, collecting and learning about fountain pens.

UK fountain pens

Your impartial and comprehensive review site for writing instruments

The Leipzig Glocal

Leipzig's international blog & webzine

EMULSIVE

film.photography

Portals of London

Towards a catalogue of London’s interdimensional gateways

"At Half Past France... "

No point clicking your heels, Dorothy!

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