Watch for ICE on the road, Traveler

Winter is barreling down upon us and the long, slow slide into the oligarchy that we are witnessing in the US right now is filled with so many new ways to watch and, in some cases, warn. One of the worries is that there is no clear record of the actions that ICE has been taking. We cannot allow this to happen. Taking control of the narrative is paramount when dealing with an all-out war of misinformation, disinformation, and outright lie.s

Currently, there is an initiative underway, coming out of Europe and outside the potential for prohibitions by US regulators, to document events and individuals involved in ICE activity and to allow private citizens to report it.

Here’s a link to a news story about it —

https://migrantinsider.com/p/news-ice-list-launches-wiki-to-expose

And another discussion about the project —

https://www.crustnews.com/p/were-building-the-wikipedia-of-ice

Screenshot of an ICE Wiki entry:

Screenshot of an ICE armed agent in the South Park area of San Diego, 2025-04-11.

And here’s the Wiki, so put it to good use and feel free to share these links as widely as possible—

Link to ICE Wiki

[The graphic above links directly to the Wiki as does this,
https://icelist.is/]

Rambling 01.05OCT2025

Splitting audio / each line treated as a totally independent instrument, literally an ensemble member who was the “solo” representative of that particular sound. The transformation of that signal into a MIDI stream which then be controlled with complete of the originating audio stream. This would allow painting different timbres, possibly diametrically opposed one, with one note. This would be especially true in the case of the advanced application of delays, reverbs, and reversal. This could be accomplished with the use of software and hardware and any combinations possible with them.

The use of guitar pedals on synths, the development of boutique boxes (I hesitate to simply call one of my favorites — the Empress Effects Zoia — a pedal), and the parallel development of the various “*-berry) Linux devices are examples of using various technologies in unintended manner with highly-desired results (from an aesthetic/artistic perspective).

The marriage of proven and robust MIDI implementations with increasingly sophisticated capabilities of digital technologies suggest a rich area for artistic exploration.

Shadows and Lights…

Evening.

A darkened sky, the light beginning to emerge from the those corporate windows across the way, allowing their interiors to be more clearly revealed. And as I look at this checkerboard of light and darkness, a vacillation catches my eye. I move to get a better view of the two windows and see what looks to be a disco ball with garlands of bright lights running from wall to wall, and, somehow, a beam of light — like a searchlight — sweeps across the tableau. I see this several nights in a row and now I am truly curious.

Days later, I gaze over at the same scene, now reflecting the sky, buildings, and grounds — that are hidden from me, for they are behind me — to the north of here. I try to look closer, feeling like Jimmy Stewart in “Rear Window” but looking for my binoculars (I have none, at present).

Details emerge and resolve, as does the meaning of the mystery. I see a rising lansdscape, and atop it, lights flashing exactly where the “disco ball” had appeared. Indeed, the lights are flashing, even in the wild-fire smoke-muted sunlight of the Montréal skies. And now, I understand.

I spent some time yesterday, observing this reflection, periodically, as the day transited from a yellow-gray morning, through the equally yellow-gray afternoon, and finally into the welcoming cool of night. What I was seeing was the warning lights arrayed across the top of the promontory that hulks behind me, rising up and North of me. This, and nothing more.

Today, the reflection is muted by the aerial pollution of smoke from the Prairie fires — I had forgotten just how pernicious that smoke is on what our skies look like, after experiencing it in Wyoming and Alaska — and I cannot see the Mount or much other detail. But it is there, waiting for the fall of darkness.

“I’ll get back to you…”

I can never remember what the META algos are blocking to and from Canada these days, so I’m sharing this to further on to my friends over there in Evil Suxerburgville…

Always on. Must reply. Ooops.

https://www.theguardian.com/commentisfree/2025/jul/01/im-not-ignoring-your-message-im-overwhelmed-by-the-tyranny-of-being-reachable

Found somewhere off of social media (with no clear attribution!) —

More Resources

The link below provides a “recipe” for how to disentangle from, and reduce your data exposure to, All Things Meta.

Of course, for many, this means Instagram or Facebook in particular, but there are a few other suspects in the crowd. Hopefully, these steps will help.

https://buttondown.com/practicaltips/archive/how-to-grey-rock-meta/

Here’s an image to amuse you along the way —

Alternatives For EVERYONE

Heh, call it my anti-fascist response, the AfE! Here is a link to a Mastodon account that shares alternatives to the Meta/TwitX/Google nonsense we have been living with for too long. You will have to run a quick search on the names of the platforms, as it is just an image/screenshot of the platforms, but that’s the easy part.

Good luck and see you over there!

https://mastodon.online/@mastodonmigration/113929735581212964