Killing time… second by second.

I think I want to buy a lottery ticket just so I can run this exercise myself —
an evening’s entertainment, to be sure.

https://crookedtimber.org/2024/05/06/run-bezos-run/

Run, Jeff, run.

(Here’s a photo to distract you while you’re counting your hundreds)

Not Unprecedented

…and ultimately, not “presidented”.

Rishi might want to reconsider his choice of imagery, what with elections looming. It didn’t work for Michael Dukakis.

Bold move there, Mike.

Badass RISH! At least he didn’t wear a helmet.


L’arôme des poivrons grillés

Listening to David Sylvian singing “Orpheus“, thinking about Proust and his evocation of the smell of those baking madeleines… while the smell of the peppers roasting in the oven fills the apartment. It’s intense, the windows are closed — it’s 7° C outside just now — and the smell is bringing back Southwestern memories of the annual Hatch pepper roast at the local HEB.

And not just at the HEB but when visiting in New Mexico, ground zero for pepper roasting. The sharp clean aroma bringing back memories of meals that knew no rivals. The question was, and always will be, red or green? Or the ultimate, delicious compromise, “Christmas-style.”

I could probably get Hatch peppers here, but not as fresh as I used to in Texas, so I have had to adopt and adapt.



These days I have a rainbow to choose from: red, yellow, orange, green… mild to hot. And I’m n0t talking about the sweet peppers we know as “Bell peppers” elsewhere. Those are here, too, greenhouse beauties from the fields of the Netherlands. But no, here we have espelettes from the Pyrénées, the source for piment d’espelette, along with long, dagger-shaped ones, of which I yet know nothing of their names, in a rainbow of colors and range of warmth. Learning the names of the specific peppers I’m using is as challenging as learning all the cheeses to be found in the cases at my Réné PrimeurLa madame professeur de fromage dans son environnement.

But the smell… the smell of those roasting peppers in the toaster oven right now takes me back and propels me forward with the same motion.

A large handful of sun-dried tomatos, about half a dozen peppers (I use red and/or yellow to keep with the deep rich red of the “tomates séchées), the juice of a whole lemon, a dash of good olive oil. Put the tomatos in a large mixing bowl of warm water and leave them while you roast the peppers. Roast the peppers until they are limp and juicy, then drain them, along with the tomatos. throw it all in a food processor. Add the oil and lemon juice and blend until you get a rich thick paste. Goes good as a base to steam rice…

The (Ambient) Savage Returns

Yep, it’s showtime! At 11:00AM, US/Pacific (aka “Second Life Time”), I’ll be presenting another live performance of “Musique Ambient Sauvage”, courtesy of that crazy avatar, AldoManutio Abruzzo (better known as ME in real life). Directions with a link to get you there below, both in the text and the image.

You can use this special URL to get there with whatever app you use for Second Life:

http://maps.secondlife.com/secondlife/EduNation/81/196/23

Hope to see you there!

Avant Le Weekend…

Easing into my “Friday” after a terrible post-birthday half-workday yesterday, I’m sharing this: it is a very practical piece of headgear.

https://youtu.be/K0btMunAvNI?si=gMJkTsQb3k6KCxJs

(When I went to have breakfast yesterday and get ready for my -7:30 class, a circuit breaker blew and all my computers went down. A quick scramble and I got through my three classes to start my weekend, which I spent the beginning of trouble shooting the electrical layout of my apartment. I had it all sorted by dinnertime, but I’m still a little nervous about using my toaster-oven…

Decamp to Bandcamp! Allez!

It’s just a start — there’s so much to pull together and get online, but I’ve been inspired by getting the studio in a better working order, so I have a few relatively new tracks to share. So here, in its unvarnished glory:

https://audiozoloft.bandcamp.com/album/amalgam

… hope you give a listen and maybe buy me a cup of beverage.

Et mais oui — c’est vendredi!

https://youtu.be/mGgMZpGYiy8?si=SwZ8Ga9Vy9Qpii5P

@antara

Richard Serra, 1938 – 2024

I encountered the work of Richard Serra completely by accident: on a photo-outing to visit The Modern Art Museum of Fort Worth, I just happened to be there the afternoon that “Vortex” was being installed. How could I resist? Back in one of my earlier incarnations, as “Kramer the Framer” for Kauffman Galleries in Houston, I got to take part in the installation of a number of sculptural pieces around the town. But I’d never seen anything on the scale of this sculpture by Serra.

Installing a sculpture that is over 20 meters tall (67 feet, 10 inches) is not a minor undertaking and the crane crew were in great form. I spoke with one of them to learn when the piece would be “officially” ready so we could come back to photograph the piece up close and personal.

Up close and personal because that’s one of the things about Serra’s work of this kind — it’s actually personal and the viewer is invited “in” to the piece. As a musician, I was entranced by the acoustics of “Vortex”, the delay and reverb were a treat and I wanted to come back and do a performance inside the sculpture. As a photographer, I was smitten by the textures and colors of the steel’s rich patina.

Years later, I made the trek down to the Museum of Modern Art in New York, from Bridgewater, Massachusetts where I was living at the time, to see the wonderful retrospective of Serra monumental works, their installation no mean feet, requiring the removal of one of the museum’s wall. What an incredible privilege to see so many of these gentle giants in one plae.

It had not been until that day in Fort Worth, that I came to know of this man’s work; I had been completely unaware of the controversy caused by his 1981 “Tilted Arc”… but I quickly learned to appreciate his use of CorTen steel — thanks in no small part to reflecting back Houston sculptor Ben Woitena explaining to me about patina on metal, years earlier.

I am blessed to call Ben a friend and likewise to have encountered the work of Richard Serra.

Farewell, sensei.

© June/July 1950

Henceforth, any and all my creative endeavors shall be considered copyright and created as of June-July, 1950. Why? Because I was born the first week of April, 1951. And I’m in such great company in maintaining this stance:

“Dates attributed to artworks are widely understood to refer to the year they were completed. However, in response to questions from the Guardian, Hirst’s company Science Ltd said the date that the artist assigns to his formaldehyde works does not represent the date they were made.

It said: “Formaldehyde works are conceptual artworks and the date Damien Hirst assigns to them is the date of the conception of the work. He has been clear over the years when asked what is important in conceptual art; it is not the physical making of the object or the renewal of its parts, but rather the intention and the idea behind the artwork.[emphasis mine].”

Apparently, the important thing to remember in making art (or music or any other creative endeavor is the date of conception, so June/July 1950 it is.

The Hirst story has some legs; press continues to be given in the Guardian the past few days with more details about this. “Damien Hirst shark that sold for about $8m is fourth 2017 work dated to 1990s” reads the headline in the latest article on, what feels to me at a minimum of being disingenous, if not dishonest.

Oh, wait. Would that make a person a “fabulist?” It’s enough to make you stop making art/music and take up teaching English…

Copyright ©June/July 1950 by Dennis “He Started This, Not Me” Moser

Amelie, Brigitte, and Chloé

A very special event: Special performance today — 12 hours long — beginning at 3:00 pm SLT/US Pacific until 3:00 am SLT/US Pacific, featuring the generative sounds of Amelie, Brigitte, and Chloé — aka “The Zoia Sisters”. This special sound environment will be performed without interruption, so come aboard and chill out at this new venue.

SLURL below:

http://maps.secondlife.com/secondlife/Nightshark/105/141/47

Yep, twelve hours of uninterrupted generative sound environment, using Second Life to stream it out to the world. Stop by and give a listen.

Adam Fenner

Former Adventurer turned full-time Dad moonlighting as an author

BlueRavenBirders

A bird, a book, and a pair of binoculars

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Follow the Adventure with Ghetto Girl Travels, a travel blog about a solo traveler, Returned Peace Corps Volunteer and Americorps Member.

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Pens, inks, notebooks and other accessories

Hypnagogue Podcast

A thoughtfully handcrafted podcast of ambient, electronic, New Age, and contemporary instrumental music

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For people who love using, collecting and learning about fountain pens.

UK fountain pens

Your impartial and comprehensive review site for writing instruments

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Adam Fenner

Former Adventurer turned full-time Dad moonlighting as an author

BlueRavenBirders

A bird, a book, and a pair of binoculars

Lilyhouse Studio Editions

Travels, Creations and the Things I See

grammaticus

weekly posts on literature, languages, and learning

Ghetto Girl Travels Blog

Follow the Adventure with Ghetto Girl Travels, a travel blog about a solo traveler, Returned Peace Corps Volunteer and Americorps Member.

Runar Magnusson

Runar Magnusson - disturbing in more ways than one

Bryan Alexander

Futurist, educator, speaker, writer

Les Moyens du Bord

Atelier pour tous

Fountain pen blog

Pens, inks, notebooks and other accessories

Hypnagogue Podcast

A thoughtfully handcrafted podcast of ambient, electronic, New Age, and contemporary instrumental music

Fountain Pen Love

For people who love using, collecting and learning about fountain pens.

UK fountain pens

Your impartial and comprehensive review site for writing instruments

EMULSIVE

film.photography

Portals of London

Towards a catalogue of London’s interdimensional gateways